Global Visual Effects (VFX) Market Insights, Growth, Share, Size: By Type, By End-Use, By Region & Segmental Forecasts, 2023-2031, Comparative Analysis and Trends

Report ID :AMI-1694 | Category : Digital Transformation | Published Date : November, 2023 | Pages : 402 | Format :PDF

Global Visual Effects (VFX) Market Insights, Growth, Share, Size: By Type, By End-Use, By Region & Segmental Forecasts, 2023-2031, Comparative Analysis and Trends

Visual Effects (VFX) refer to the manipulation and enhancement of visual elements in film, television, advertising, gaming, and other forms of media to create realistic and fantastical illusions. VFX encompass a wide range of techniques, including computer-generated imagery (CGI), green screen compositing, motion capture, and special effects, all aimed at enhancing the visual storytelling experience. Visual Effects (VFX) have evolved from early practical effects in the 1900s to a digital revolution in the 1980s and mainstream integration in the 2000s. The 2010s saw globalization and collaboration, with a surge in international VFX work. The future points towards augmented reality, virtual production, and continued technological advancements, solidifying visual effects (VFX) market pivotal role in global storytelling.

The global visual effects (VFX) market has experienced robust growth, driven by the increasing demand for high-quality visual content across film, television, gaming, and advertising. With a compound annual growth rate (CAGR) exceeding industry expectations, the market is poised for sustained expansion.

Market Dynamics: Global Visual Effects (VFX) Market

Technological Advancements: The visual effects (VFX) market is heavily influenced by technological innovations, with advancements such as virtual reality (VR), augmented reality (AR), and artificial intelligence (AI) reshaping the landscape. Cutting-edge software tools and hardware capabilities have empowered VFX artists to create more realistic and breathtaking visual elements. For example, widely used in the visual effects (VFX) market, Autodesk Maya offers a comprehensive suite of tools for 3D modeling, animation, and rendering. It is employed by major studios for creating lifelike characters and environments. According to data gathered, 74% of surveyed professionals indicated an increase in the use of real-time rendering in their projects. This signifies a shift towards more interactive and iterative workflows empowered by cutting-edge software and hardware.
Rising Demand in Entertainment: The entertainment industry's insatiable appetite for high-quality visual content has propelled the demand for VFX services. Hollywood has long been synonymous with large-scale productions that leverage cutting-edge VFX to create immersive and visually stunning experiences. For example, Weta Digital, based in New Zealand has worked on films like "Avatar" and "The Lord of the Rings" trilogy, which has showcased their expertise in delivering breathtaking visual effects that contribute significantly to the success of these blockbusters.
Globalization of Production: The globalization of film and television production has expanded the visual effects (VFX) market services. Studios now collaborate with VFX companies worldwide to access diverse talent pools and benefit from cost-effective solutions, leading to a more interconnected and competitive market.
Rise in Steaming Platforms: The rise of streaming platforms, such as Netflix, Amazon Prime Video, and Disney+, has further fuelled the demand for high-quality visual content. Original series and films produced for these platforms often feature intricate VFX to compete for audience attention in a crowded digital landscape. Companies like Framestore have made notable contributions to streaming content. Their work on the Netflix series "Stranger Things" involves creating otherworldly visual effects that contribute to the show's unique and captivating atmosphere.

Global Visual Effects (VFX) Market Revenue & Forecast, (US$ Million), 2015 – 2031

The filmmaking and visual effects (VFX) market is a dynamic and thriving industry that plays a pivotal role in the entertainment landscape, accounted for a significant market share in 2022 in the visual effects (VFX) market. As technology advances, filmmakers increasingly rely on cutting-edge visual effects to push creative boundaries, deliver immersive experiences, and bring fantastical elements to the big screen. This synergy has led to the continual growth of the global visual effects market, with filmmaking serving as a primary driving force.

Major film productions, spanning from Hollywood blockbusters to international releases, allocate significant budgets for VFX to enhance storytelling and captivate audiences. Examples of this integration can be seen in films like "Avatar," where groundbreaking visual effects were pivotal in creating the lush and alien landscapes of Pandora. Marvel Cinematic Universe (MCU) films, such as "Avengers: Endgame," showcase the seamless fusion of live-action and computer-generated elements, elevating superhero narratives to unprecedented levels. For example, The U.S. visual effects (VFX) market, including companies in California and other states, has been a key player in providing VFX services for both domestic and international productions. On the other hand, Bollywood, the Indian film industry, has seen a rise in the use of visual effects in its productions. Indian VFX studios have gained recognition for their work in international films and television shows.

North America leads in adopting cutting-edge technologies in the visual effects (VFX) market. Studios invest in advanced software tools, real-time rendering technologies, and high-performance hardware to maintain a competitive edge. The United States is a major hub for the global as well as the North America visual effects (VFX) market, with Hollywood serving as a central epicenter for film production and visual effects work. The U.S. visual effects (VFX) market has consistently shown growth, driven by the demand for high-quality visual content in the entertainment industry. According to data gathered by Absolute Markets Insights through primaries, the visual effects (VFX) market size in the United States crossed the mark of $11.29 billion in 2022. Real-time rendering, GPU acceleration, and AI integration are notable trends in the U.S. visual effects (VFX) market, enhancing the efficiency and quality of visual effects production. Additionally, The COVID-19 pandemic has further accelerated the adoption of remote work solutions in the visual effects (VFX) market. Studios in North America have embraced technologies that facilitate collaborative workflows across distributed teams.

Asia Pacific region, including countries like India, China, South Korea, and Japan, has witnessed remarkable growth in the entertainment and media sector. The increasing production of films, television shows, and streaming content has led to a higher demand for VFX services to enhance visual storytelling. The success of Asian films on the global stage has contributed to the growth of the visual effects (VFX) market in the region. Countries like India, China, and South Korea are producing high-budget films with intricate visual effects, showcasing the capabilities of local VFX studios. In addition, Asian VFX studios are increasingly collaborating with international productions. Hollywood studios, in particular, are outsourcing VFX work to studios in the Asia Pacific region due to the combination of technical expertise and cost-effectiveness. The region's emphasis on technological advancements, global collaborations, and diverse storytelling positions Asian VFX studios as influential players in the evolving landscape of visual effects.

China has emerged as a major player in the global visual effects (VFX) market. The country's booming film industry, combined with significant investments in technology, has contributed to the growth of its visual effects (VFX) market. Companies like BaseFX, More VFX, and Dexter Studios have played key roles in the Chinese VFX industry. Domestic studios collaborate with international productions, expanding their global influence. Similarly, South Korea has gained prominence in the Asian VFX landscape. The country's film industry, known for its storytelling and technical prowess, contributes to the demand for high-quality visual effects.

Competitive Landscape

The global visual effects (VFX) market is characterized by intense competition among studios that are continually pushing the boundaries of technology and creativity. Established players, as well as emerging studios, contribute to the vibrant and evolving landscape of visual effects in various entertainment sectors. The competitive landscape is influenced by technological advancements, global collaborations, and a commitment to delivering innovative and visually stunning content. Few of the key competitors operating in the global visual effects (VFX) market are mentioned below:

Animal Logic
BaseFX
Blur Studio
Cinesite
Digital Domain Holdings Ltd.
DNEG (Double Negative)
Framestore
Hybride Technologies
Industrial Light & Magic (ILM)
Luma Pictures
Method Studios
Mikros MPC
MPC (Moving Picture Company)
Pixomondo
Rhythm & Hues Studios
Scanline VFX
Sony Pictures Imageworks
The Mill
Trixter
Technicolour SA
Weta Digital
Other Industry Participants

Global Visual Effects (VFX) Market

By Type

Computer-generated imagery (CGI)
Compositing
Motion Capture
Matte Painting
Simulation FX
Others

By End-Use

Film Making and TV
Gaming and Sports
Marketing and Advertising
Education and Training
Others

By Region

North America (U.S., Canada, Mexico, Rest of North America)
Europe (France, The UK, Spain, Germany, Italy, Nordic Countries (Denmark, Finland, Iceland, Sweden, Norway), Benelux Union (Belgium, The Netherlands, Luxembourg), Rest of Europe)
Asia Pacific (China, Japan, India, New Zealand, Australia, South Korea, Southeast Asia (Indonesia, Thailand, Malaysia, Singapore, Rest of Southeast Asia), Rest of Asia Pacific)
Middle East & Africa (Saudi Arabia, UAE, Egypt, Kuwait, South Africa, Rest of Middle East & Africa)
Latin America (Brazil, Argentina, Rest of Latin America)

Table of Contents

Market Scope

1.1. Market Segmentation

1.2. Years Considered

1.2.1. Historic Years: 2015 - 2021

1.2.2. Base Year: 2022

1.2.3. Forecast Years: 2023 – 2031

2. Key Target Audiences

3. Research Methodology

3.1. Primary Research

3.1.1. Research Questionnaire

3.1.2. Global Percentage Breakdown

3.1.3. Primary Interviews: Key Opinion Leaders (KOLs)

3.2. Secondary Research

3.2.1. Paid Databases

3.2.2. Secondary Sources

3.3. Market Size Estimates

3.3.1. Top-Down Approach

3.3.2. Bottom-Up Approach

3.4. Data Triangulation Methodology

3.5. Research Assumptions

4. Recommendations and Insights from AMI’s Perspective**

5. Holistic Overview of Visual Effects (VFX) Market

6. Market Synopsis: Visual Effects (VFX) Market

7. Visual Effects (VFX) Market Analysis: Qualitative Perspective

7.1. Introduction

7.1.1. Product Definition

7.1.2. Industry Development

7.2. Market Dynamics

7.2.1. Drivers

7.2.2. Restraints

7.2.3. Opportunities

7.2.4. Challenges

7.3. Trends in Visual Effects (VFX) Market

7.4. Market Determinants Radar Chart

7.5. Macro-Economic and Micro-Economic Indicators: Visual Effects (VFX) Market

7.6. Porter’s Five Force Analysis

7.7. Impact of Covid-19 on Visual Effects (VFX) Market

7.8. PESTEL Analysis

8. Global Visual Effects (VFX) Market Analysis and Forecasts, 2023 - 2031

8.1. Overview

8.1.1. Global Visual Effects (VFX) Market Revenue (US$ Mn)

8.2. Global Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

8.2.1. Computer-generated imagery (CGI)

8.2.1.1. Definition

8.2.1.2. Market Estimation and Penetration, 2015 - 2022

8.2.1.3. Market Forecast, 2023 - 2031

8.2.1.4. Compound Annual Growth Rate (CAGR)

8.2.1.5. Regional Bifurcation

8.2.1.5.1. North America

8.2.1.5.1.1. Market Estimation, 2015 - 2022

8.2.1.5.1.2. Market Forecast, 2023 - 2031

8.2.1.5.2. Europe

8.2.1.5.2.1. Market Estimation, 2015 - 2022

8.2.1.5.2.2. Market Forecast, 2023 - 2031

8.2.1.5.3. Asia Pacific

8.2.1.5.3.1. Market Estimation, 2015 - 2022

8.2.1.5.3.2. Market Forecast, 2023 - 2031

8.2.1.5.4. Middle East and Africa

8.2.1.5.4.1. Market Estimation, 2015 - 2022

8.2.1.5.4.2. Market Forecast, 2023 - 2031

8.2.1.5.5. Latin America

8.2.1.5.5.1. Market Estimation, 2015 - 2022

8.2.1.5.5.2. Market Forecast, 2023 - 2031

8.2.2. Compositing

8.2.2.1. Definition

8.2.2.2. Market Estimation and Penetration, 2015 - 2022

8.2.2.3. Market Forecast, 2023 - 2031

8.2.2.4. Compound Annual Growth Rate (CAGR)

8.2.2.5. Regional Bifurcation

8.2.2.5.1. North America

8.2.2.5.1.1. Market Estimation, 2015 - 2022

8.2.2.5.1.2. Market Forecast, 2023 - 2031

8.2.2.5.2. Europe

8.2.2.5.2.1. Market Estimation, 2015 - 2022

8.2.2.5.2.2. Market Forecast, 2023 - 2031

8.2.2.5.3. Asia Pacific

8.2.2.5.3.1. Market Estimation, 2015 - 2022

8.2.2.5.3.2. Market Forecast, 2023 - 2031

8.2.2.5.4. Middle East and Africa

8.2.2.5.4.1. Market Estimation, 2015 - 2022

8.2.2.5.4.2. Market Forecast, 2023 - 2031

8.2.2.5.5. Latin America

8.2.2.5.5.1. Market Estimation, 2015 - 2022

8.2.2.5.5.2. Market Forecast, 2023 - 2031

8.2.3. Motion Capture

8.2.3.1. Definition

8.2.3.2. Market Estimation and Penetration, 2015 - 2022

8.2.3.3. Market Forecast, 2023 - 2031

8.2.3.4. Compound Annual Growth Rate (CAGR)

8.2.3.5. Regional Bifurcation

8.2.3.5.1. North America

8.2.3.5.1.1. Market Estimation, 2015 - 2022

8.2.3.5.1.2. Market Forecast, 2023 - 2031

8.2.3.5.2. Europe

8.2.3.5.2.1. Market Estimation, 2015 - 2022

8.2.3.5.2.2. Market Forecast, 2023 - 2031

8.2.3.5.3. Asia Pacific

8.2.3.5.3.1. Market Estimation, 2015 - 2022

8.2.3.5.3.2. Market Forecast, 2023 - 2031

8.2.3.5.4. Middle East and Africa

8.2.3.5.4.1. Market Estimation, 2015 - 2022

8.2.3.5.4.2. Market Forecast, 2023 - 2031

8.2.3.5.5. Latin America

8.2.3.5.5.1. Market Estimation, 2015 - 2022

8.2.3.5.5.2. Market Forecast, 2023 - 2031

8.2.4. Matte Painting

8.2.4.1. Definition

8.2.4.2. Market Estimation and Penetration, 2015 - 2022

8.2.4.3. Market Forecast, 2023 - 2031

8.2.4.4. Compound Annual Growth Rate (CAGR)

8.2.4.5. Regional Bifurcation

8.2.4.5.1. North America

8.2.4.5.1.1. Market Estimation, 2015 - 2022

8.2.4.5.1.2. Market Forecast, 2023 - 2031

8.2.4.5.2. Europe

8.2.4.5.2.1. Market Estimation, 2015 - 2022

8.2.4.5.2.2. Market Forecast, 2023 - 2031

8.2.4.5.3. Asia Pacific

8.2.4.5.3.1. Market Estimation, 2015 - 2022

8.2.4.5.3.2. Market Forecast, 2023 - 2031

8.2.4.5.4. Middle East and Africa

8.2.4.5.4.1. Market Estimation, 2015 - 2022

8.2.4.5.4.2. Market Forecast, 2023 - 2031

8.2.4.5.5. Latin America

8.2.4.5.5.1. Market Estimation, 2015 - 2022

8.2.4.5.5.2. Market Forecast, 2023 - 2031

8.2.5. Simulation FX

8.2.5.1. Definition

8.2.5.2. Market Estimation and Penetration, 2015 - 2022

8.2.5.3. Market Forecast, 2023 - 2031

8.2.5.4. Compound Annual Growth Rate (CAGR)

8.2.5.5. Regional Bifurcation

8.2.5.5.1. North America

8.2.5.5.1.1. Market Estimation, 2015 - 2022

8.2.5.5.1.2. Market Forecast, 2023 - 2031

8.2.5.5.2. Europe

8.2.5.5.2.1. Market Estimation, 2015 - 2022

8.2.5.5.2.2. Market Forecast, 2023 - 2031

8.2.5.5.3. Asia Pacific

8.2.5.5.3.1. Market Estimation, 2015 - 2022

8.2.5.5.3.2. Market Forecast, 2023 - 2031

8.2.5.5.4. Middle East and Africa

8.2.5.5.4.1. Market Estimation, 2015 - 2022

8.2.5.5.4.2. Market Forecast, 2023 - 2031

8.2.5.5.5. Latin America

8.2.5.5.5.1. Market Estimation, 2015 - 2022

8.2.5.5.5.2. Market Forecast, 2023 - 2031

8.2.6. Others

8.2.6.1. Definition

8.2.6.2. Market Estimation and Penetration, 2015 - 2022

8.2.6.3. Market Forecast, 2023 - 2031

8.2.6.4. Compound Annual Growth Rate (CAGR)

8.2.6.5. Regional Bifurcation

8.2.6.5.1. North America

8.2.6.5.1.1. Market Estimation, 2015 - 2022

8.2.6.5.1.2. Market Forecast, 2023 - 2031

8.2.6.5.2. Europe

8.2.6.5.2.1. Market Estimation, 2015 - 2022

8.2.6.5.2.2. Market Forecast, 2023 - 2031

8.2.6.5.3. Asia Pacific

8.2.6.5.3.1. Market Estimation, 2015 - 2022

8.2.6.5.3.2. Market Forecast, 2023 - 2031

8.2.6.5.4. Middle East and Africa

8.2.6.5.4.1. Market Estimation, 2015 - 2022

8.2.6.5.4.2. Market Forecast, 2023 - 2031

8.2.6.5.5. Latin America

8.2.6.5.5.1. Market Estimation, 2015 - 2022

8.2.6.5.5.2. Market Forecast, 2023 - 2031

8.3. Key Segment for Channeling Investments

8.3.1. By Type

9. Global Visual Effects (VFX) Market Analysis and Forecasts, 2023 - 2031

9.1. Overview

9.2. Global Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

9.2.1. Film Making and TV

9.2.1.1. Definition

9.2.1.2. Market Estimation and Penetration, 2015 - 2022

9.2.1.3. Market Forecast, 2023 - 2031

9.2.1.4. Compound Annual Growth Rate (CAGR)

9.2.1.5. Regional Bifurcation

9.2.1.5.1. North America

9.2.1.5.1.1. Market Estimation, 2015 - 2022

9.2.1.5.1.2. Market Forecast, 2023 - 2031

9.2.1.5.2. Europe

9.2.1.5.2.1. Market Estimation, 2015 - 2022

9.2.1.5.2.2. Market Forecast, 2023 - 2031

9.2.1.5.3. Asia Pacific

9.2.1.5.3.1. Market Estimation, 2015 - 2022

9.2.1.5.3.2. Market Forecast, 2023 - 2031

9.2.1.5.4. Middle East and Africa

9.2.1.5.4.1. Market Estimation, 2015 - 2022

9.2.1.5.4.2. Market Forecast, 2023 - 2031

9.2.1.5.5. Latin America

9.2.1.5.5.1. Market Estimation, 2015 - 2022

9.2.1.5.5.2. Market Forecast, 2023 - 2031

9.2.2. Gaming and Sports

9.2.2.1. Definition

9.2.2.2. Market Estimation and Penetration, 2015 - 2022

9.2.2.3. Market Forecast, 2023 - 2031

9.2.2.4. Compound Annual Growth Rate (CAGR)

9.2.2.5. Regional Bifurcation

9.2.2.5.1. North America

9.2.2.5.1.1. Market Estimation, 2015 - 2022

9.2.2.5.1.2. Market Forecast, 2023 - 2031

9.2.2.5.2. Europe

9.2.2.5.2.1. Market Estimation, 2015 - 2022

9.2.2.5.2.2. Market Forecast, 2023 - 2031

9.2.2.5.3. Asia Pacific

9.2.2.5.3.1. Market Estimation, 2015 - 2022

9.2.2.5.3.2. Market Forecast, 2023 - 2031

9.2.2.5.4. Middle East and Africa

9.2.2.5.4.1. Market Estimation, 2015 - 2022

9.2.2.5.4.2. Market Forecast, 2023 - 2031

9.2.2.5.5. Latin America

9.2.2.5.5.1. Market Estimation, 2015 - 2022

9.2.2.5.5.2. Market Forecast, 2023 - 2031

9.2.3. Marketing and Advertising

9.2.3.1. Definition

9.2.3.2. Market Estimation and Penetration, 2015 - 2022

9.2.3.3. Market Forecast, 2023 - 2031

9.2.3.4. Compound Annual Growth Rate (CAGR)

9.2.3.5. Regional Bifurcation

9.2.3.5.1. North America

9.2.3.5.1.1. Market Estimation, 2015 - 2022

9.2.3.5.1.2. Market Forecast, 2023 - 2031

9.2.3.5.2. Europe

9.2.3.5.2.1. Market Estimation, 2015 - 2022

9.2.3.5.2.2. Market Forecast, 2023 - 2031

9.2.3.5.3. Asia Pacific

9.2.3.5.3.1. Market Estimation, 2015 - 2022

9.2.3.5.3.2. Market Forecast, 2023 - 2031

9.2.3.5.4. Middle East and Africa

9.2.3.5.4.1. Market Estimation, 2015 - 2022

9.2.3.5.4.2. Market Forecast, 2023 - 2031

9.2.3.5.5. Latin America

9.2.3.5.5.1. Market Estimation, 2015 - 2022

9.2.3.5.5.2. Market Forecast, 2023 - 2031

9.2.4. Education and Training

9.2.4.1. Definition

9.2.4.2. Market Estimation and Penetration, 2015 - 2022

9.2.4.3. Market Forecast, 2023 - 2031

9.2.4.4. Compound Annual Growth Rate (CAGR)

9.2.4.5. Regional Bifurcation

9.2.4.5.1. North America

9.2.4.5.1.1. Market Estimation, 2015 - 2022

9.2.4.5.1.2. Market Forecast, 2023 - 2031

9.2.4.5.2. Europe

9.2.4.5.2.1. Market Estimation, 2015 - 2022

9.2.4.5.2.2. Market Forecast, 2023 - 2031

9.2.4.5.3. Asia Pacific

9.2.4.5.3.1. Market Estimation, 2015 - 2022

9.2.4.5.3.2. Market Forecast, 2023 - 2031

9.2.4.5.4. Middle East and Africa

9.2.4.5.4.1. Market Estimation, 2015 - 2022

9.2.4.5.4.2. Market Forecast, 2023 - 2031

9.2.4.5.5. Latin America

9.2.4.5.5.1. Market Estimation, 2015 - 2022

9.2.4.5.5.2. Market Forecast, 2023 - 2031

9.2.5. Others

9.2.5.1. Definition

9.2.5.2. Market Estimation and Penetration, 2015 - 2022

9.2.5.3. Market Forecast, 2023 - 2031

9.2.5.4. Compound Annual Growth Rate (CAGR)

9.2.5.5. Regional Bifurcation

9.2.5.5.1. North America

9.2.5.5.1.1. Market Estimation, 2015 - 2022

9.2.5.5.1.2. Market Forecast, 2023 - 2031

9.2.5.5.2. Europe

9.2.5.5.2.1. Market Estimation, 2015 - 2022

9.2.5.5.2.2. Market Forecast, 2023 - 2031

9.2.5.5.3. Asia Pacific

9.2.5.5.3.1. Market Estimation, 2015 - 2022

9.2.5.5.3.2. Market Forecast, 2023 - 2031

9.2.5.5.4. Middle East and Africa

9.2.5.5.4.1. Market Estimation, 2015 - 2022

9.2.5.5.4.2. Market Forecast, 2023 - 2031

9.2.5.5.5. Latin America

9.2.5.5.5.1. Market Estimation, 2015 - 2022

9.2.5.5.5.2. Market Forecast, 2023 - 2031

9.3. Key Segment for Channeling Investments

9.3.1. By End-Use

10. North America Visual Effects (VFX) Market Analysis and Forecasts, 2023 - 2031

10.1. Overview

10.1.1. North America Visual Effects (VFX) Market Revenue (US$ Mn)

10.2. North America Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

10.2.1. Computer-generated imagery (CGI)

10.2.2. Compositing

10.2.3. Motion Capture

10.2.4. Matte Painting

10.2.5. Simulation FX

10.2.6. Others

10.3. North America Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

10.3.1. Film Making and TV

10.3.2. Gaming and Sports

10.3.3. Marketing and Advertising

10.3.4. Education and Training

10.3.5. Others

10.4. North America Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Country

10.4.1. U.S

10.4.1.1. U.S Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

10.4.1.1.1. Computer-generated imagery (CGI)

10.4.1.1.2. Compositing

10.4.1.1.3. Motion Capture

10.4.1.1.4. Matte Painting

10.4.1.1.5. Simulation FX

10.4.1.1.6. Others

10.4.1.2. U.S Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

10.4.1.2.1. Film Making and TV

10.4.1.2.2. Gaming and Sports

10.4.1.2.3. Marketing and Advertising

10.4.1.2.4. Education and Training

10.4.1.2.5. Others

10.4.2. Canada

10.4.2.1. Canada Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

10.4.2.1.1. Computer-generated imagery (CGI)

10.4.2.1.2. Compositing

10.4.2.1.3. Motion Capture

10.4.2.1.4. Matte Painting

10.4.2.1.5. Simulation FX

10.4.2.1.6. Others

10.4.2.2. Canada Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

10.4.2.2.1. Film Making and TV

10.4.2.2.2. Gaming and Sports

10.4.2.2.3. Marketing and Advertising

10.4.2.2.4. Education and Training

10.4.2.2.5. Others

10.4.3. Mexico

10.4.3.1. Mexico Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

10.4.3.1.1. Computer-generated imagery (CGI)

10.4.3.1.2. Compositing

10.4.3.1.3. Motion Capture

10.4.3.1.4. Matte Painting

10.4.3.1.5. Simulation FX

10.4.3.1.6. Others

10.4.3.2. Mexico Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

10.4.3.2.1. Film Making and TV

10.4.3.2.2. Gaming and Sports

10.4.3.2.3. Marketing and Advertising

10.4.3.2.4. Education and Training

10.4.3.2.5. Others

10.4.4. Rest of North America

10.4.4.1. Rest of North America Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

10.4.4.1.1. Computer-generated imagery (CGI)

10.4.4.1.2. Compositing

10.4.4.1.3. Motion Capture

10.4.4.1.4. Matte Painting

10.4.4.1.5. Simulation FX

10.4.4.1.6. Others

10.4.4.2. Rest of North America Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

10.4.4.2.1. Film Making and TV

10.4.4.2.2. Gaming and Sports

10.4.4.2.3. Marketing and Advertising

10.4.4.2.4. Education and Training

10.4.4.2.5. Others

10.5. Key Segment for Channeling Investments

10.5.1. By Country

10.5.2. By Type

10.5.3. By End-Use

11. Europe Visual Effects (VFX) Market Analysis and Forecasts, 2023 - 2031

11.1. Overview

11.1.1. Europe Visual Effects (VFX) Market Revenue (US$ Mn)

11.2. Europe Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

11.2.1. Computer-generated imagery (CGI)

11.2.2. Compositing

11.2.3. Motion Capture

11.2.4. Matte Painting

11.2.5. Simulation FX

11.2.6. Others

11.3. Europe Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

11.3.1. Film Making and TV

11.3.2. Gaming and Sports

11.3.3. Marketing and Advertising

11.3.4. Education and Training

11.3.5. Others

11.4. Europe Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Country

11.4.1. France

11.4.1.1. France Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

11.4.1.1.1. Computer-generated imagery (CGI)

11.4.1.1.2. Compositing

11.4.1.1.3. Motion Capture

11.4.1.1.4. Matte Painting

11.4.1.1.5. Simulation FX

11.4.1.1.6. Others

11.4.1.2. France Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

11.4.1.2.1. Film Making and TV

11.4.1.2.2. Gaming and Sports

11.4.1.2.3. Marketing and Advertising

11.4.1.2.4. Education and Training

11.4.1.2.5. Others

11.4.2. The UK

11.4.2.1. The UK Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

11.4.2.1.1. Computer-generated imagery (CGI)

11.4.2.1.2. Compositing

11.4.2.1.3. Motion Capture

11.4.2.1.4. Matte Painting

11.4.2.1.5. Simulation FX

11.4.2.1.6. Others

11.4.2.2. The UK Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

11.4.2.2.1. Film Making and TV

11.4.2.2.2. Gaming and Sports

11.4.2.2.3. Marketing and Advertising

11.4.2.2.4. Education and Training

11.4.2.2.5. Others

11.4.3. Spain

11.4.3.1. Spain Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

11.4.3.1.1. Computer-generated imagery (CGI)

11.4.3.1.2. Compositing

11.4.3.1.3. Motion Capture

11.4.3.1.4. Matte Painting

11.4.3.1.5. Simulation FX

11.4.3.1.6. Others

11.4.3.2. Spain Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

11.4.3.2.1. Film Making and TV

11.4.3.2.2. Gaming and Sports

11.4.3.2.3. Marketing and Advertising

11.4.3.2.4. Education and Training

11.4.3.2.5. Others

11.4.4. Germany

11.4.4.1. Germany Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

11.4.4.1.1. Computer-generated imagery (CGI)

11.4.4.1.2. Compositing

11.4.4.1.3. Motion Capture

11.4.4.1.4. Matte Painting

11.4.4.1.5. Simulation FX

11.4.4.1.6. Others

11.4.4.2. Germany Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

11.4.4.2.1. Film Making and TV

11.4.4.2.2. Gaming and Sports

11.4.4.2.3. Marketing and Advertising

11.4.4.2.4. Education and Training

11.4.4.2.5. Others

11.4.5. Italy

11.4.5.1. Italy Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

11.4.5.1.1. Computer-generated imagery (CGI)

11.4.5.1.2. Compositing

11.4.5.1.3. Motion Capture

11.4.5.1.4. Matte Painting

11.4.5.1.5. Simulation FX

11.4.5.1.6. Others

11.4.5.2. Italy Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

11.4.5.2.1. Film Making and TV

11.4.5.2.2. Gaming and Sports

11.4.5.2.3. Marketing and Advertising

11.4.5.2.4. Education and Training

11.4.5.2.5. Others

11.4.6. Nordic Countries

11.4.6.1. Nordic Countries Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

11.4.6.1.1. Computer-generated imagery (CGI)

11.4.6.1.2. Compositing

11.4.6.1.3. Motion Capture

11.4.6.1.4. Matte Painting

11.4.6.1.5. Simulation FX

11.4.6.1.6. Others

11.4.6.2. Nordic Countries Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

11.4.6.2.1. Film Making and TV

11.4.6.2.2. Gaming and Sports

11.4.6.2.3. Marketing and Advertising

11.4.6.2.4. Education and Training

11.4.6.2.5. Others

11.4.6.3. Nordic Countries Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Country

11.4.6.3.1. Denmark

11.4.6.3.2. Finland

11.4.6.3.3. Iceland

11.4.6.3.4. Sweden

11.4.6.3.5. Norway

11.4.7. Benelux Union

11.4.7.1. Benelux Union Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

11.4.7.1.1. Computer-generated imagery (CGI)

11.4.7.1.2. Compositing

11.4.7.1.3. Motion Capture

11.4.7.1.4. Matte Painting

11.4.7.1.5. Simulation FX

11.4.7.1.6. Others

11.4.7.2. Benelux Union Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

11.4.7.2.1. Film Making and TV

11.4.7.2.2. Gaming and Sports

11.4.7.2.3. Marketing and Advertising

11.4.7.2.4. Education and Training

11.4.7.2.5. Others

11.4.7.3. Benelux Union Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Country

11.4.7.3.1. Belgium

11.4.7.3.2. The Netherlands

11.4.7.3.3. Luxembourg

11.4.8. Rest of Europe

11.4.8.1. Rest of Europe Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

11.4.8.1.1. Computer-generated imagery (CGI)

11.4.8.1.2. Compositing

11.4.8.1.3. Motion Capture

11.4.8.1.4. Matte Painting

11.4.8.1.5. Simulation FX

11.4.8.1.6. Others

11.4.8.2. Rest of Europe Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

11.4.8.2.1. Film Making and TV

11.4.8.2.2. Gaming and Sports

11.4.8.2.3. Marketing and Advertising

11.4.8.2.4. Education and Training

11.4.8.2.5. Others

11.5. Key Segment for Channeling Investments

11.5.1. By Country

11.5.2. By Type

11.5.3. By End-Use

12. Asia Pacific Visual Effects (VFX) Market Analysis and Forecasts, 2023 - 2031

12.1. Overview

12.1.1. Asia Pacific Visual Effects (VFX) Market Revenue (US$ Mn)

12.2. Asia Pacific Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

12.2.1. Computer-generated imagery (CGI)

12.2.2. Compositing

12.2.3. Motion Capture

12.2.4. Matte Painting

12.2.5. Simulation FX

12.2.6. Others

12.3. Asia Pacific Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

12.3.1. Film Making and TV

12.3.2. Gaming and Sports

12.3.3. Marketing and Advertising

12.3.4. Education and Training

12.3.5. Others

12.4. Asia Pacific Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Country

12.4.1. China

12.4.1.1. China Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

12.4.1.1.1. Computer-generated imagery (CGI)

12.4.1.1.2. Compositing

12.4.1.1.3. Motion Capture

12.4.1.1.4. Matte Painting

12.4.1.1.5. Simulation FX

12.4.1.1.6. Others

12.4.1.2. China Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

12.4.1.2.1. Film Making and TV

12.4.1.2.2. Gaming and Sports

12.4.1.2.3. Marketing and Advertising

12.4.1.2.4. Education and Training

12.4.1.2.5. Others

12.4.2. Japan

12.4.2.1. Japan Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

12.4.2.1.1. Computer-generated imagery (CGI)

12.4.2.1.2. Compositing

12.4.2.1.3. Motion Capture

12.4.2.1.4. Matte Painting

12.4.2.1.5. Simulation FX

12.4.2.1.6. Others

12.4.2.2. Japan Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

12.4.2.2.1. Film Making and TV

12.4.2.2.2. Gaming and Sports

12.4.2.2.3. Marketing and Advertising

12.4.2.2.4. Education and Training

12.4.2.2.5. Others

12.4.3. India

12.4.3.1. India Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

12.4.3.1.1. Computer-generated imagery (CGI)

12.4.3.1.2. Compositing

12.4.3.1.3. Motion Capture

12.4.3.1.4. Matte Painting

12.4.3.1.5. Simulation FX

12.4.3.1.6. Others

12.4.3.2. India Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

12.4.3.2.1. Film Making and TV

12.4.3.2.2. Gaming and Sports

12.4.3.2.3. Marketing and Advertising

12.4.3.2.4. Education and Training

12.4.3.2.5. Others

12.4.4. New Zealand

12.4.4.1. New Zealand Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

12.4.4.1.1. Computer-generated imagery (CGI)

12.4.4.1.2. Compositing

12.4.4.1.3. Motion Capture

12.4.4.1.4. Matte Painting

12.4.4.1.5. Simulation FX

12.4.4.1.6. Others

12.4.4.2. New Zealand Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

12.4.4.2.1. Film Making and TV

12.4.4.2.2. Gaming and Sports

12.4.4.2.3. Marketing and Advertising

12.4.4.2.4. Education and Training

12.4.4.2.5. Others

12.4.5. Australia

12.4.5.1. Australia Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

12.4.5.1.1. Computer-generated imagery (CGI)

12.4.5.1.2. Compositing

12.4.5.1.3. Motion Capture

12.4.5.1.4. Matte Painting

12.4.5.1.5. Simulation FX

12.4.5.1.6. Others

12.4.5.2. Australia Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

12.4.5.2.1. Film Making and TV

12.4.5.2.2. Gaming and Sports

12.4.5.2.3. Marketing and Advertising

12.4.5.2.4. Education and Training

12.4.5.2.5. Others

12.4.6. South Korea

12.4.6.1. South Korea Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

12.4.6.1.1. Computer-generated imagery (CGI)

12.4.6.1.2. Compositing

12.4.6.1.3. Motion Capture

12.4.6.1.4. Matte Painting

12.4.6.1.5. Simulation FX

12.4.6.1.6. Others

12.4.6.2. South Korea Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

12.4.6.2.1. Film Making and TV

12.4.6.2.2. Gaming and Sports

12.4.6.2.3. Marketing and Advertising

12.4.6.2.4. Education and Training

12.4.6.2.5. Others

12.4.7. Southeast Asia

12.4.7.1. Southeast Asia Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

12.4.7.1.1. Computer-generated imagery (CGI)

12.4.7.1.2. Compositing

12.4.7.1.3. Motion Capture

12.4.7.1.4. Matte Painting

12.4.7.1.5. Simulation FX

12.4.7.1.6. Others

12.4.7.2. Southeast Asia Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

12.4.7.2.1. Film Making and TV

12.4.7.2.2. Gaming and Sports

12.4.7.2.3. Marketing and Advertising

12.4.7.2.4. Education and Training

12.4.7.2.5. Others

12.4.7.3. Southeast Asia Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Country

12.4.7.3.1. Indonesia

12.4.7.3.2. Thailand

12.4.7.3.3. Malaysia

12.4.7.3.4. Singapore

12.4.7.3.5. Rest of Southeast Asia

12.4.8. Rest of Asia Pacific

12.4.8.1. Rest of Asia Pacific Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

12.4.8.1.1. Computer-generated imagery (CGI)

12.4.8.1.2. Compositing

12.4.8.1.3. Motion Capture

12.4.8.1.4. Matte Painting

12.4.8.1.5. Simulation FX

12.4.8.1.6. Others

12.4.8.2. Rest of Asia Pacific Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

12.4.8.2.1. Film Making and TV

12.4.8.2.2. Gaming and Sports

12.4.8.2.3. Marketing and Advertising

12.4.8.2.4. Education and Training

12.4.8.2.5. Others

12.5. Key Segment for Channeling Investments

12.5.1. By Country

12.5.2. By Type

12.5.3. By End-Use

13. Middle East and Africa Visual Effects (VFX) Market Analysis and Forecasts, 2023 - 2031

13.1. Overview

13.1.1. Middle East and Africa Visual Effects (VFX) Market Revenue (US$ Mn)

13.2. Middle East and Africa Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

13.2.1. Computer-generated imagery (CGI)

13.2.2. Compositing

13.2.3. Motion Capture

13.2.4. Matte Painting

13.2.5. Simulation FX

13.2.6. Others

13.3. Middle East and Africa Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

13.3.1. Film Making and TV

13.3.2. Gaming and Sports

13.3.3. Marketing and Advertising

13.3.4. Education and Training

13.3.5. Others

13.4. Middle East and Africa Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Country

13.4.1. Saudi Arabia

13.4.1.1. Saudi Arabia Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

13.4.1.1.1. Computer-generated imagery (CGI)

13.4.1.1.2. Compositing

13.4.1.1.3. Motion Capture

13.4.1.1.4. Matte Painting

13.4.1.1.5. Simulation FX

13.4.1.1.6. Others

13.4.1.2. Saudi Arabia Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

13.4.1.2.1. Film Making and TV

13.4.1.2.2. Gaming and Sports

13.4.1.2.3. Marketing and Advertising

13.4.1.2.4. Education and Training

13.4.1.2.5. Others

13.4.2. UAE

13.4.2.1. UAE Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

13.4.2.1.1. Computer-generated imagery (CGI)

13.4.2.1.2. Compositing

13.4.2.1.3. Motion Capture

13.4.2.1.4. Matte Painting

13.4.2.1.5. Simulation FX

13.4.2.1.6. Others

13.4.2.2. UAE Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

13.4.2.2.1. Film Making and TV

13.4.2.2.2. Gaming and Sports

13.4.2.2.3. Marketing and Advertising

13.4.2.2.4. Education and Training

13.4.2.2.5. Others

13.4.3. Egypt

13.4.3.1. Egypt Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

13.4.3.1.1. Computer-generated imagery (CGI)

13.4.3.1.2. Compositing

13.4.3.1.3. Motion Capture

13.4.3.1.4. Matte Painting

13.4.3.1.5. Simulation FX

13.4.3.1.6. Others

13.4.3.2. Egypt Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

13.4.3.2.1. Film Making and TV

13.4.3.2.2. Gaming and Sports

13.4.3.2.3. Marketing and Advertising

13.4.3.2.4. Education and Training

13.4.3.2.5. Others

13.4.4. Kuwait

13.4.4.1. Kuwait Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

13.4.4.1.1. Computer-generated imagery (CGI)

13.4.4.1.2. Compositing

13.4.4.1.3. Motion Capture

13.4.4.1.4. Matte Painting

13.4.4.1.5. Simulation FX

13.4.4.1.6. Others

13.4.4.2. Kuwait Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

13.4.4.2.1. Film Making and TV

13.4.4.2.2. Gaming and Sports

13.4.4.2.3. Marketing and Advertising

13.4.4.2.4. Education and Training

13.4.4.2.5. Others

13.4.5. South Africa

13.4.5.1. South Africa Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

13.4.5.1.1. Computer-generated imagery (CGI)

13.4.5.1.2. Compositing

13.4.5.1.3. Motion Capture

13.4.5.1.4. Matte Painting

13.4.5.1.5. Simulation FX

13.4.5.1.6. Others

13.4.5.2. South Africa Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

13.4.5.2.1. Film Making and TV

13.4.5.2.2. Gaming and Sports

13.4.5.2.3. Marketing and Advertising

13.4.5.2.4. Education and Training

13.4.5.2.5. Others

13.4.6. Rest of Middle East & Africa

13.4.6.1. Rest of Middle East & Africa Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

13.4.6.1.1. Computer-generated imagery (CGI)

13.4.6.1.2. Compositing

13.4.6.1.3. Motion Capture

13.4.6.1.4. Matte Painting

13.4.6.1.5. Simulation FX

13.4.6.1.6. Others

13.4.6.2. Rest of Middle East & Africa Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

13.4.6.2.1. Film Making and TV

13.4.6.2.2. Gaming and Sports

13.4.6.2.3. Marketing and Advertising

13.4.6.2.4. Education and Training

13.4.6.2.5. Others

13.5. Key Segment for Channeling Investments

13.5.1. By Country

13.5.2. By Type

13.5.3. By End-Use

14. Latin America Visual Effects (VFX) Market Analysis and Forecasts, 2023 - 2031

14.1. Overview

14.1.1. Latin America Visual Effects (VFX) Market Revenue (US$ Mn)

14.2. Latin America Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

14.2.1. Computer-generated imagery (CGI)

14.2.2. Compositing

14.2.3. Motion Capture

14.2.4. Matte Painting

14.2.5. Simulation FX

14.2.6. Others

14.3. Latin America Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

14.3.1. Film Making and TV

14.3.2. Gaming and Sports

14.3.3. Marketing and Advertising

14.3.4. Education and Training

14.3.5. Others

14.4. Latin America Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Country

14.4.1. Brazil

14.4.1.1. Brazil Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

14.4.1.1.1. Computer-generated imagery (CGI)

14.4.1.1.2. Compositing

14.4.1.1.3. Motion Capture

14.4.1.1.4. Matte Painting

14.4.1.1.5. Simulation FX

14.4.1.1.6. Others

14.4.1.2. Brazil Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

14.4.1.2.1. Film Making and TV

14.4.1.2.2. Gaming and Sports

14.4.1.2.3. Marketing and Advertising

14.4.1.2.4. Education and Training

14.4.1.2.5. Others

14.4.2. Argentina

14.4.2.1. Argentina Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

14.4.2.1.1. Computer-generated imagery (CGI)

14.4.2.1.2. Compositing

14.4.2.1.3. Motion Capture

14.4.2.1.4. Matte Painting

14.4.2.1.5. Simulation FX

14.4.2.1.6. Others

14.4.2.2. Argentina Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

14.4.2.2.1. Film Making and TV

14.4.2.2.2. Gaming and Sports

14.4.2.2.3. Marketing and Advertising

14.4.2.2.4. Education and Training

14.4.2.2.5. Others

14.4.3. Rest of Latin America

14.4.3.1. Rest of Latin America Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By Type

14.4.3.1.1. Computer-generated imagery (CGI)

14.4.3.1.2. Compositing

14.4.3.1.3. Motion Capture

14.4.3.1.4. Matte Painting

14.4.3.1.5. Simulation FX

14.4.3.1.6. Others

14.4.3.2. Rest of Latin America Visual Effects (VFX) Market Revenue (US$ Mn) and Forecasts, By End-Use

14.4.3.2.1. Film Making and TV

14.4.3.2.2. Gaming and Sports

14.4.3.2.3. Marketing and Advertising

14.4.3.2.4. Education and Training

14.4.3.2.5. Others

14.5. Key Segment for Channeling Investments

14.5.1. By Country

14.5.2. By Type

14.5.3. By End-Use

15. Competitive Benchmarking

15.1. Market Share Analysis, 2022

15.2. Global Presence and Growth Strategies

15.2.1. Mergers and Acquisitions

15.2.2. Product Launches

15.2.3. Investments Trends

15.2.4. R&D Initiatives

16. Player Profiles

16.1. Animal Logic

16.1.1. Company Details

16.1.2. Company Overview

16.1.3. Product Offerings

16.1.4. Key Developments

16.1.5. Financial Analysis

16.1.6. SWOT Analysis

16.1.7. Business Strategies

16.2. BaseFX

16.2.1. Company Details

16.2.2. Company Overview

16.2.3. Product Offerings

16.2.4. Key Developments

16.2.5. Financial Analysis

16.2.6. SWOT Analysis

16.2.7. Business Strategies

16.3. Blur Studio

16.3.1. Company Details

16.3.2. Company Overview

16.3.3. Product Offerings

16.3.4. Key Developments

16.3.5. Financial Analysis

16.3.6. SWOT Analysis

16.3.7. Business Strategies

16.4. Cinesite

16.4.1. Company Details

16.4.2. Company Overview

16.4.3. Product Offerings

16.4.4. Key Developments

16.4.5. Financial Analysis

16.4.6. SWOT Analysis

16.4.7. Business Strategies

16.5. Digital Domain Holdings Ltd.

16.5.1. Company Details

16.5.2. Company Overview

16.5.3. Product Offerings

16.5.4. Key Developments

16.5.5. Financial Analysis

16.5.6. SWOT Analysis

16.5.7. Business Strategies

16.6. DNEG (Double Negative)

16.6.1. Company Details

16.6.2. Company Overview

16.6.3. Product Offerings

16.6.4. Key Developments

16.6.5. Financial Analysis

16.6.6. SWOT Analysis

16.6.7. Business Strategies

16.7. Framestore

16.7.1. Company Details

16.7.2. Company Overview

16.7.3. Product Offerings

16.7.4. Key Developments

16.7.5. Financial Analysis

16.7.6. SWOT Analysis

16.7.7. Business Strategies

16.8. Hybride Technologies

16.8.1. Company Details

16.8.2. Company Overview

16.8.3. Product Offerings

16.8.4. Key Developments

16.8.5. Financial Analysis

16.8.6. SWOT Analysis

16.8.7. Business Strategies

16.9. Industrial Light & Magic (ILM)

16.9.1. Company Details

16.9.2. Company Overview

16.9.3. Product Offerings

16.9.4. Key Developments

16.9.5. Financial Analysis

16.9.6. SWOT Analysis

16.9.7. Business Strategies

16.10. Luma Pictures

16.10.1. Company Details

16.10.2. Company Overview

16.10.3. Product Offerings

16.10.4. Key Developments

16.10.5. Financial Analysis

16.10.6. SWOT Analysis

16.10.7. Business Strategies

16.11. Method Studios

16.11.1. Company Details

16.11.2. Company Overview

16.11.3. Product Offerings

16.11.4. Key Developments

16.11.5. Financial Analysis

16.11.6. SWOT Analysis

16.11.7. Business Strategies

16.12. Mikros MPC

16.12.1. Company Details

16.12.2. Company Overview

16.12.3. Product Offerings

16.12.4. Key Developments

16.12.5. Financial Analysis

16.12.6. SWOT Analysis

16.12.7. Business Strategies

16.13. MPC (Moving Picture Company)

16.13.1. Company Details

16.13.2. Company Overview

16.13.3. Product Offerings

16.13.4. Key Developments

16.13.5. Financial Analysis

16.13.6. SWOT Analysis

16.13.7. Business Strategies

16.14. Pixomondo

16.14.1. Company Details

16.14.2. Company Overview

16.14.3. Product Offerings

16.14.4. Key Developments

16.14.5. Financial Analysis

16.14.6. SWOT Analysis

16.14.7. Business Strategies

16.15. Rhythm & Hues Studios

16.15.1. Company Details

16.15.2. Company Overview

16.15.3. Product Offerings

16.15.4. Key Developments

16.15.5. Financial Analysis

16.15.6. SWOT Analysis

16.15.7. Business Strategies

16.16. Scanline VFX

16.16.1. Company Details

16.16.2. Company Overview

16.16.3. Product Offerings

16.16.4. Key Developments

16.16.5. Financial Analysis

16.16.6. SWOT Analysis

16.16.7. Business Strategies

16.17. Sony Pictures Imageworks

16.17.1. Company Details

16.17.2. Company Overview

16.17.3. Product Offerings

16.17.4. Key Developments

16.17.5. Financial Analysis

16.17.6. SWOT Analysis

16.17.7. Business Strategies

16.18. The Mill

16.18.1. Company Details

16.18.2. Company Overview

16.18.3. Product Offerings

16.18.4. Key Developments

16.18.5. Financial Analysis

16.18.6. SWOT Analysis

16.18.7. Business Strategies

16.19. Trixter

16.19.1. Company Details

16.19.2. Company Overview

16.19.3. Product Offerings

16.19.4. Key Developments

16.19.5. Financial Analysis

16.19.6. SWOT Analysis

16.19.7. Business Strategies

16.20. Technicolour SA

16.20.1. Company Details

16.20.2. Company Overview

16.20.3. Product Offerings

16.20.4. Key Developments

16.20.5. Financial Analysis

16.20.6. SWOT Analysis

16.20.7. Business Strategies

16.21. Weta Digital

16.21.1. Company Details

16.21.2. Company Overview

16.21.3. Product Offerings

16.21.4. Key Developments

16.21.5. Financial Analysis

16.21.6. SWOT Analysis

16.21.7. Business Strategies

16.22. Other Market Participants

17. Key Findings

**Exclusive for Multi-User and Enterprise User.

At Absolute Markets Insights, we are engaged in building both global as well as country specific reports. As a result, the approach taken for deriving the estimation and forecast for a specific country is a bit unique and different in comparison to the global research studies. In this case, we not only study the concerned market factors & trends prevailing in a particular country (from secondary research) but we also tend to calculate the actual market size & forecast from the revenue generated from the market participants involved in manufacturing or distributing the any concerned product. These companies can also be service providers. For analyzing any country specifically, we do consider the growth factors prevailing under the states/cities/county for the same. For instance, if we are analyzing an industry specific to United States, we primarily need to study about the states present under the same(where the product/service has the highest growth). Similar analysis will be followed by other countries. Our scope of the report changes with different markets.

Our research study is mainly implement through a mix of both secondary and primary research. Various sources such as industry magazines, trade journals, and government websites and trade associations are reviewed for gathering precise data. Primary interviews are conducted to validate the market size derived from secondary research. Industry experts, major manufacturers and distributors are contacted for further validation purpose on the current market penetration and growth trends.

Prominent participants in our primary research process include:

Key Opinion Leaders namely the CEOs, CSOs, VPs, purchasing managers, amongst others
Research and development participants, distributors/suppliers and subject matter experts

Secondary Research includes data extracted from paid data sources: